The theatrical action is the through line in Pwekko's work. He started his career in bands such as Les Piliers de Cabaret, Van Fan Fahre and Kraafs, in which he gradually developed himself as a composer. After that, the boundaries between composer, performer and musician began to blur and he worked for various local and international productions like Lucilia Caesar, Troubleyn, theater Zamzam and Werkgroep 66. The musical writing process was always at the service of the scenography.

In 2020 Pwekko started releasing independent musical work, where he reversed the roles: the scenography only remains as a mental construction and is completely at the service of the music. Central is the experience of music as an adventurous discovery, an exploration into unknown areas, a journey through imagination.